SoundCrafters is a Golden Reel–winning post sound house in Hollywood, supervising, editing and mixing sound for feature film, television, animation and interactive. We are now opening a European base in Ireland.
Supervising Sound Editor — Geoffrey G. Rubay
Supervising Sound Editor — Geoffrey G. Rubay
Supervising Sound Editor — Geoffrey G. Rubay
Sound supervision, design and dialogue
Supervising Sound Editor — Geoffrey G. Rubay
Sound Effects Editor — Alec Rubay
Sound Designer — Alec Rubay
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The Motion Picture Sound Editors’ Golden Reel Awards honour the year’s finest sound editing across film, television, animation and interactive.
MPSE Golden Reel Awards · Sound Editing, Broadcast Long Form Effects / Foley — Alec Rubay, Sound Effects Editor
MPSE Golden Reel Awards · Geoffrey G. Rubay, Supervising Sound Editor · Alec G. Rubay, Sound Designer · Ashley N. Rubay, Dialogue Editor
MPSE Golden Reel Awards · Computer Entertainment — Alec Rubay, Sound Designer
MPSE Golden Reel Awards — Geoffrey G. Rubay, Supervising Sound Editor
The people who supervise your picture are the people who cut it. No handoffs, no juniors, no surprises in the mix stage.
More than twenty years and over a hundred projects in motion picture sound, as editor, designer, supervisor and mixer. Golden Reel winner for Spider-Man: Into the Spider-Verse, and supervisor on its sequel. Previously at Soundelux, Todd-AO and Sony Pictures.
Sound designer and effects editor across film, television and games. Part of the Golden Reel–winning sound team on Alien: Earth, and a nominee for both The Marvelous Mrs. Maisel and Call of Duty cinematics.
Runs ADR and dialogue for the studio and leads its education programme, with a specialism in foreign dubbing and localisation. Golden Reel nominee as dialogue editor on The Marvelous Mrs. Maisel.
A full post sound department under one roof — spotting through final print master, delivered to any studio or streamer spec.
A single supervisor owns your picture from spotting session to final print master, and sits in the room for every playback.
Original design built for the film, not pulled from a library — from the smallest room tone to the set piece the trailer is cut around.
Dialogue editing and ADR supervision, with sessions cast, recorded and directed on either side of the Atlantic.
Performed Foley that gives every footstep, garment and prop its real weight, recorded and edited to picture.
Stereo through immersive, mixed and delivered to studio, broadcaster and streamer specification.
M&E preparation, dub supervision and foreign-language delivery for international distribution.
Irish and European productions have never had more ambition or more work. We are bringing the same crew, the same rooms and the same standard that Hollywood books to a base on this side of the Atlantic.
Sessions run live between Los Angeles and Ireland, so your picture keeps moving while you sleep. Attend in person, or attend from anywhere.
Send us a logline, a schedule, or just a question about posting in Ireland. We answer everything ourselves.
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